VFX Between Shots — Get Up and Build Something Real

This entry is part 1 of 1 in the series VFX Between Shots

  With Your Own Two Hands When I was a kid, I built things with my hands.  Clay, wood, paper, tape, wire, and film combined together were enough to make a movie. If you had a motion picture or still camera, you could forge the materials of this world into worlds of imagination. I would draw cartoons, and animate them with pages of typing paper, colorize black and white photos with an airbrush, and manually layout pages for offset printing or silk screened shirts.  Now I use a computer, on which I spend all day rearranging electrons, which are eventually illuminated by photons, but which… Continue reading

Cinemagic Magazine — Back from the past

If you made super-8mm movies in the late 1970’s to early 1980’s, and loved visual effects, you read CINEMAGIC, originally created by Nightbeast director Don Dohler, and then helmed at Starlog press.  (I remember calling David Hutchison and John Clayton to give me information on folks in the SPFX biz quite often).  In these magazines you learned stop motion, rear projection, matte painting, foreground miniatures, and prosthetic makeup as low-budget as you could make it.  It also allowed you to advertise your productions in a section of each issue.  Mark Sullivan (famed matte painter who is also chronicled for his… Continue reading