Rogue One — A Format Wars Story

 

During a screening of Doctor Strange at a Visual Effects Society event, someone asked the film’s Director whether he preferred the 3D version, or the 2D version? He said: “I am torn, as I love the 3D version, but also the Expanded Dynamic Range version as well.”

I gravitate toward stereo3D movies, due to my history of making stereo3D films. I wrote an article about stereo conversion for The Force Awakens, recounting its masterful use of the stereo3D format. In my opinion, Doctor Strange was a tour-de-force example of fantastic stereo3D conversion, so based on the … Continue reading

How We Faked The Moon Landing: Part 3 — The Visual Effects of Magnificent Desolation

This entry is part 3 of 3 in the series Magnificent Desolation VFX

To the IMAX Moon and Beyond
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Filming on location is not an option.

On September 23, 2005, Magnificent Desolation: Walking on the Moon in 3D released on giant IMAX screens. It is a 4K stereo3D experience of the moon landings, and speculative missions from the past and future. The film was honored with the first Visual Effects: Special Venue award by the Visual Effects Society in … Continue reading

How We Faked the Moon Landing: Part 2 — the Visual Effects of Magnificent Desolation

This entry is part 2 of 3 in the series Magnificent Desolation VFX

To the IMAX Moon and Beyond

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We didn’t have their giant rockets, so we faked it later.

On September 23, 2005, Magnificent Desolation: Walking on the Moon in 3D released on giant IMAX screens. It is a 4K stereo3D experience of the moon landings, and speculative missions from the past and future. The film was honored with the first Visual Effects: Special Venue award by the Visual … Continue reading

How We Faked The Moon Landing: Part 1 — the Visual Effects of Magnificent Desolation 3D

This entry is part 1 of 3 in the series Magnificent Desolation VFX

To the IMAX Moon and Beyond

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The Moon landings were real — we faked it later.

On September 23, 2005,  Magnificent Desolation: Walking on the Moon in 3D released on giant IMAX screens. A 4K stereo3D experience of the Moon landings, and speculative missions from the past and future — which at the time was IMAX’s widest opening stereo3D film with 70 prints worldwide.  Produced and narrated by … Continue reading

The Force Awakens, and the State of 3D conversion

Star Wars: The Force Awakens Stereo Conversion is Awe Inspiring and You Should See It.

In a darkened IMAX3D theater I saw Star Wars: the Force Awakens for the second time. My first viewing was at the Motion Picture Academy screening with JJ Abrams, Kathleen Kennedy, Roger Guyett, and many others. I was already pretty impressed with the film, and I had a few complaints, but … Continue reading

Jason Jue — 1977-2015 — The Sassoon Six Minus One

“I sit on the beach, drink instant coffee, and dive when I can.”
Jason Jue

 

On April 5, 2015,  The Digital Makeup Initiative,  Stereo VFX, and Stereo Conversion Communities lost one of its pioneers.  Jason Jue, VFX supervisor, compositor, and avid diver passed away. Those who knew him grieve with his family, and are all taken aback by the sudden happenings that pulled him from this world.  What I can say most about him is that he was my good friend.

Jason was the third employee of Sassoon Film Design (Santa Monica, CA). Jammed into a one room office … Continue reading

Adventures in Stereo 3D: Part 2 — The Hyper-Glyph

This gallery contains 4 photos.

This entry is part 2 of 3 in the series Stereo3D Adventures

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Updating the 1850’s French Innovation.

In part one of this series about Stereo 3D, we discussed the use of stereo anaglyph images as a tool for stereo artists and supervisors, not just for novelty 3D prints, and late night 3D festivals on TV.  Lightweight, and easily viewable in many situations, it is by far the most portable 3D format.  (Besides we all look cool … Continue reading

Why Dimensionalization is Bad

By any other Name it is Good Old Fashioned Sculpture.

The term Dimensionalization should leave the lexicon of stereo conversion.  First off, it is a buzz-word that Madison Avenue could have invented that says very little about the process, and it also calls forth images of an automated process that is simple to do.  Secondly, it is a copyrighted phrase for a now defunct company, but mostly it … Continue reading

Adventures in Stereo 3D: Part 1 — The Rebirth of Anaglyph

This gallery contains 2 photos.

This entry is part 1 of 3 in the series Stereo3D Adventures

Another French Innovation

toytruck_anaProbably one of the oldest methods of viewing stereo 3D content is Anaglyph.  Invented in the 1850’s by a Frenchman, it has seen little update over the years, other than varying the color of the lenses (mostly as an attempt to deliver better full-color images).  It is a very cost effective format, but most experts in 3D scoff at it, as a stereo presentation with … Continue reading

The Art of Seeing Stereo 3D

Stereo vs. Reality 

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Stereo 3D is not “real,” it is an optical illusion. We are all constantly told that stereo 3D is more engaging visual content, but having actually directed stereo VFX and helped create the whole field of Stereo conversion, I will say the verdict among audiences is mixed. I have been involved in IMAX and feature film stereo projects, and seeing the variation of opinion in online reviews; I am dumbfounded that anyone is actually … Continue reading