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Two Simple Tricks For Professional Results.
After Jumanji it was all about gamma blasting to check the black levels, but with the 2002 Spider-Man talk at SIGGRAPH, two new composite analysis methods came to the forefront to improve quality — and almost nobody noticed.
There he was, John Dykstra, at the front of the theater at SIGGRAPH talking about the work Sony Imageworks did for the first Spider-Man movie. Discussions on … Continue reading