This entry is part 3 of 4 in the series VFX_archaeology
Recollections of BOSS FILM STUDIOS
A recent post of one of my photos from Starship Troopers on social media erupted into a lengthy discussion about the BOSS Film work, some of which has heretofore received little mention. Following is a summary of that discussion, beefed up with a little bit of … Continue reading
In October 1996 the best place for any devotee of Star Trek to be was the Starfleet Shipyards. These are not the in-cannon fabled shipyards of Mars, nor are they the near earth orbit construction dry-docks. They are definitely not a large ground-based construction facility in Iowa. The Starfleet shipyards were in Marina del Rey California, in the backyard of BOSS film studios at the shops of renowned model maker Greg Jein.
Greg Jein is associated with almost every incarnation of the USS … Continue reading
Writing Code For VFX Solves Problems, and Motivates Others
It is my supposition that everyone in the visual effects business should learn to program, even a little bit, as it opens … Continue reading
An Accomplished VFX Artist Leaves A Clandestine Legacy
Richard Edlund, a close friend of Laine, kindly contributed this card, drawn by Laine for the Holidays. Thank you, Richard.
People working the visual effects field are often artists in many different disciplines. I am also a cartoonist, having published several strips, and I enjoy funny behind the scenes jokes scribbled by artists under pressure — I honed a lot of my skills perusing the sci-FI cartoons in the … Continue reading
Information and title updated 03/20/2014
A patch from the old Boss Film Days. The 65MM in the title says it all.
I was there at the end.
Richard Edlund’s BOSS film studios (named after his favorite shotgun, but originally BOSS FILM CORPORATION **) was a powerhouse of creativity. It followed in the tradition set by Doug Trumbull’s Entertainment Effects Group, which Edlund purchased to form BOSS when he left Industrial Light and Magic: 65mm image acquisition and compositing. On the heels of the visual effects revival, Edlund and … Continue reading