Lost Concepts: Part 1 — Almost Human

This entry is part 1 of 3 in the series Lost Concepts

 

Almost Human Concept Art

Occasionally a sketch can become something else.  I have taken to the iPad for illustration, as many have over the past few years.  it is convenient, and allows me to do more finished work as well as sketch on-the-fly.  Tasked to do some concept illustrations for the series Almost Human, I quickly re-purposed one of my sketches for varying concepts of android design for the (unfortunately) cancelled show.  Here are some of them:

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The Missing Millennium Falcon

This entry is part 1 of 4 in the series VFX_archaeology

Evolution of a Design

 

 

Story update: Joe Johnston on Twitter said that he did not do the original drawing that inspired the illustration in the middle of this article (done  for research purposes only, and not an official StarWars art piece), and that he only used the cockpit and radar dish as elements. This design I saw might therefore be the work of one of the other artists on Star Wars. It could represent an alternate direction rather than a step in the evolution of the current design. That said, this is not to mislead, but now is a … Continue reading

AGsketchbook — Oct. 31, 2014

This entry is part 7 of 10 in the series AGsketchbook

The Pride of Frankenstein 

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Gorilla VFX : Episode 2 — What I Learned From Spider-Man

This gallery contains 10 photos.

This entry is part 2 of 3 in the series Gorilla VFX

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Two Simple Tricks For Professional Results.

After Jumanji it was all about gamma blasting to check the black levels, but with the 2002 Spider-Man talk at SIGGRAPH, two new composite analysis methods came to the forefront to improve quality — and almost nobody noticed.

There he was, John Dykstra, at the front of the theater at SIGGRAPH talking about the work Sony Imageworks did for the first Spider-Man movie. Discussions on … Continue reading

AGsketchbook — Oct. 19, 2014

This entry is part 2 of 10 in the series AGsketchbook

Scribble Ships

It is easy to fall into a pattern or style of illustration. To break the monotony, or creative block I occasionally like to apply an exercise I learned in Art School. The fact is, with a slight application of imagination, even a scribble can look like a face.  Therefore scribble on a page, and find the face. I figured this would work for spacecraft as well.

 

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The AG_Punkwerks Blog — Year One

One Year of Content and Cool Directions.

 

Well folks, it is officially the first anniversary of the AG_Punkwerks blog (Sept. 11 is the actual date, but it went live in October).  Thanks for your readership, and continued enthusiasm for the odd collection of things roughly hung from the limbs of a tree named VFX. Old stuff, new stuff, stuff nobody has seen, and stuff to talk about. You know, lots of stuff — eventually.

What are the results? Many ongoing series:

1. Articles covering the VFX War raging between VFX workers/facilities and government kickbacks throughout the world.  More to come … Continue reading

AGsketchbook — Sept. 28, 2014

This entry is part 1 of 10 in the series AGsketchbook

I Love A Good Sketch.

Sketches have a raw energy to them that an inked line sometimes robs in final form.  Do not misunderstand, a fully inked final image when done right is a beauty (Frazetta and Kirby come to mind), but that initial idea and energy are in the sketch many times, and the final is a poor cousin.

With computer scanning and painting it is possible … Continue reading

The VFX War: Part 4 —The California Drought

This entry is part 4 of 4 in the series The VFX War

The Great Dust Bowl 2

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There is little to no rain in California. For the last several years the once verdant fields of this great American state (both in size and productivity) have produced fewer crops as water restrictions expand every year. Los Angeles, is a desert, and has always imported more water than actually flows there to survive. Weather conditions fluctuate, as they have throughout history, … Continue reading

Back to Harv’s World

A Funny Thing Happened On The Way To VFX.

 

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It all started in 1982 with a sketch in the corner of the Social Studies notebook (I probably was not paying attention anyway).  Originally an alien life form, not quite sure from where, but cute.  I’d already spent several years drawing Danger Duck and Quacker — obvious Donald Duck rip-offs — but making cartoons seemed to be a direct extent of my obsession with VFX and animation, as well as a great skill … Continue reading

Lost Art of Laine Liska

An Accomplished VFX Artist Leaves A Clandestine Legacy

 


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Richard Edlund, a close friend of Laine, kindly contributed this card, drawn by Laine for the Holidays. Thank you, Richard.


People working the visual effects field are often artists in many different disciplines. I am also a cartoonist, having published several strips, and I enjoy funny behind the scenes jokes scribbled by artists under pressure — I honed a lot of my skills perusing the sci-FI cartoons in the … Continue reading

Gorilla VFX: Episode 1 — Couch Clouds

This entry is part 1 of 3 in the series Gorilla VFX

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The title is not spelled wrong. Guerrillas are crafty, live by the seat of their pants fighters on the front lines. Gorillas are rough,  hit-it-with-your-fists solvers of problems. Both of these are distinct VFX mind-sets we embrace. This series explores solutions to problems that are a little unorthodox, but effective.  What’s outside the frame is Masking Tape.  Smash away!

The Wild Blue Yonder From Closet Junk.

The fun part … Continue reading

BOSS Film Studios – The Last Watch

Information and title updated 03/20/2014
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A patch from the old Boss Film Days. The 65MM in the title says it all.

 

I was there at the end.

Richard Edlund’s BOSS film studios  (named after his favorite shotgun, but originally BOSS FILM CORPORATION **) was a powerhouse of creativity. It followed in the tradition set by Doug Trumbull’s Entertainment Effects Group, which Edlund purchased to form BOSS when he left Industrial Light and Magic: 65mm image acquisition and compositing. On the heels of the visual effects revival, Edlund and … Continue reading

Full Starlog Magazine Archive Online

Kerry O’Quinn’s Penultimate Magazine Online Library.

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In several boxes in my garage sit almost every copy of Starlog Magazine up to issue 100.  They are in various conditions, some tattered, some torn, all well read.  They are an archive library.  For those who did not live in Los Angeles, and did not discover the mail order Cinefex (which was actually advertised in Starlog pages), there was … Continue reading

The VFX War: Part 3 — The Slight Heard Round The World

This entry is part 3 of 4 in the series The VFX War

Hollywood’s Juvenile Response to Brilliance.

For 2014 the Academy of Motion Picture Arts and Sciences promises in a Variety article to “get the visual effects presentation right this year.” They are in reference to last year’s global debacle of a presentation after The Life of Pi was played offstage as the vfx supervisors were attempting to honor the artists who lost their jobs making the film — and the director who publicly thanked everyone (I mean everyone) on the show except his VFX crew who made it even possible to tell the story.

http://www.youtube.com/watch?v=OH5Pc8Gd1lo

A collective obscenity-laden scream bellowed … Continue reading

Who Is Watching VFX?

Youtube Analysis Of  VFX Documentary Viewers.

In 2008 I added a Youtube Channel, dedicated to collecting, and favoriting links to documentaries and inspiring visual effects.  I uploaded several of the documentaries that I enjoyed as I was growing up (and had to take a few of them down — thank you Lucasfilm). but it seems to have a reasonably popular following.  When I started doing this there were no channels of this type I could find, but there is now a plethora of content in this realm, and the channel subscriptions follow many of those.  The uploaded content has … Continue reading

Saving VFX: Part One — A Possible Way Forward

Splitting Up to Carry On.

Government kickbacks are not the only concern weighing on the VFX industry. We have innovated our way into solving everyone else’s problems, taking on the burden that used to belong to other departments. VFX have threatened the jobs of other parts of the industry for several years, and these industries have downsized or specialized as a result. Now VFX is at times overburdened with responsibility for the camera, sets, props, hair and makeup, and even actors in a movie — just fix it in post. We have always said we CAN do it, but due … Continue reading

Digital Makeup Joins The Stage February 2, 2014

Todd Masters and Johnathan Banta At The Digital Days Conference.

The Digital Days Conference kicks off Saturday Feb 1, 2014. Todd Masters and Johnathan Banta (spelled wrong on their website) of MastersFX join a panel Sunday to talk about the convergence of practical and digital effects.

Join us as we talk of the crossing between digits and digital.

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UPDATE:
The time of the … Continue reading

Adventures in Stereo 3D: Part 3 — A Stereo Markup Language

This gallery contains 7 photos.

This entry is part 3 of 3 in the series Stereo3D Adventures

Scribbling is the Universal Language.

The markup language was also used in shots that were shot native, and rendered/composited in stereo. Certain sculpting notations were not useful, but guiding general placement in-depth and pointing out anomalies used the same visual language.

If a picture is worth a thousand words, it is likely that two thousand words will be required to properly describe how to correct a problem in … Continue reading

Saving Mr. Binks

This gallery contains 1 photo.

Focusing the Hatred of the Galaxy, a Digital Star is Born!

There are long diatribes on the Internet tearing George Lucas to shreds for the creation of Jar Jar Binks.  Such vile hatred for a character in a movie —an individual that does not exist — is curious.  Normally this level of vitriol is reserved for politicians and rapscallions (though the character was a politician in Episode II and III).  Fans of Star Wars despise this creation, and make it their hobby to eviscerate him.

As I said:  Curious.

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Thanksgiving Photogrammetry — The GALACTICA

This gallery contains 13 photos.

 

Fun With Photoscan.

A year ago I started playing more with Agisoft Photoscan software, at the behest of a very respected VFX artist.  It is now a professional tool in my kit, but also a hobby. On the hobby side it is always fun to do things guerrilla style on purpose — to learn to what extent you can push the software. Take photos, throw them in and eventually read what scant documentation exists.  (Much more fun to kick the tires, and answer questions after the fact). Continue reading

Shaping the Message of VFX

Visual Effects Stories Losing Their Fire?

I remember when something unusual happened while making Special Effects, it was bandied about in a good story, either in a magazine, or as an urban legend. When an artist had a particular view of his or her work, they would let it be known that they disagreed with the solution.  When a particular effect failed, you read about it in gory detail.  Now the message is more often shaped by press agents to make the VFX company, studio, or director look brilliant.  This is unfortunate, but a clear reflection of the changing gravity … Continue reading

The VFX War: Part 2 — Fish In A Barrel

This entry is part 2 of 4 in the series The VFX War

We Are Eating Ourselves.

It’s almost as if someone planned it. A Macivelian overlord sat down one day, scheming how to drive down prices, institute near slave-driven hours (without compensation as often as possible) by arbitrarily putting a date on a calendar, increase their profits, pay for no benefits, accept government kickbacks and free labor. However no such overlord exists, and we have done much of this to ourselves.

We have no industry standard bidding contracts, and we constantly undermine each other to stay afloat. It is not with malice, but on the base instinct of survival that we … Continue reading

Adventures in Stereo 3D: Part 2 — The Hyper-Glyph**

This gallery contains 4 photos.

This entry is part 2 of 3 in the series Stereo3D Adventures

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Updating the 1850’s French Innovation.

In part one of this series about Stereo 3D, we discussed the use of stereo anaglyph images as a tool for stereo artists and supervisors, not just for novelty 3D prints, and late night 3D festivals on TV.  Lightweight, and easily viewable in many situations, it is by far the most portable 3D format.  (Besides we all … Continue reading

Halloween Photogrammetry

This gallery contains 9 photos.

Photoscan Software in Action — Where Have You Been All My Life?

Just for Halloween: 3D pumpkins!

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AgiSoft’s Photoscan is a stunning development for visual effects production. It is at its root designed for virtual map making, but is agile enough for full-body scans in action poses. Yes, there are other services out there from Autodesk that do similar things, but this is $180, with … Continue reading

The British VFX tradition — Poppa Day to Alien

This gallery contains 6 photos.

Great British VFX Documentaries Online.

From Poppa Day to Matte Painting in the 60’s and 70’s, Dennis Lowes webpage is an amazing documentary resource of visual effects in Britain. Want some in-depth information on the making of Alien you did not know? He has multiple interviews on video with images to back it up. His videos introduce us to a great collection of talented people, and disciplined work, from which we all can learn. Great education, motivation, and fun, and there is more than what is shown in the images below (including some of Dennis’ own work if you … Continue reading