Adventures in Stereo 3D: Part 1 — The Rebirth of Anaglyph

This entry is part 1 of 3 in the series Stereo3D Adventures

Another French Innovation Probably one of the oldest methods of viewing stereo 3D content is Anaglyph.  Invented in the 1850’s by Frenchmen Joseph D’Almeida and Louis Du Hauron, it has seen little update over the years, other than varying the color of the lenses (mostly as an attempt to deliver better full-color images). …

Adventures in Stereo 3D: Part 2 — The Hyper-Glyph

This entry is part 2 of 3 in the series Stereo3D Adventures

Updating the 1850’s French Innovation. In part one of this series about Stereo 3D, we discussed the use of stereo anaglyph images as a tool for stereo artists and supervisors, not just for novelty 3D prints, and late night 3D festivals on TV.  Lightweight, and easily viewable in many situations, …

Adventures in Stereo 3D: Part 3 — A Stereo Markup Language

This entry is part 3 of 3 in the series Stereo3D Adventures

Scribbling is the Universal Language. If a picture is worth a thousand words, it is likely that two thousand words will be required to properly describe how to correct a problem in a stereo 3D converted image.  I have seen the notes go on for pages (dictated some of them …